Director of Black to Techno and Hub Tones discusses her vision and mission and the collective she co-founded, The Ummah Chroma.
Jenn Nkiru has found a unique way of presenting the rich history of black music and culture. During this masterclass, the artist and director talks about her vision and mission, her film work (including Black to Techno and Hub Tones) and her participation in the collective she co-founded, The Ummah Chroma.
London-born artist and filmmaker Jenn Nkiru combines footage she has shot herself with archival material and historical references to black culture, allowing her to immerse herself in subcultures and other under-represented cultural and political expressions. She refers to this working method as "cosmic archaeology". Her film debut En Vogue (2014) dives into New York’s various vogue and ballroom scenes, while her latest short Black to Techno is an overwhelming audio-visual voyage of discovery that seeks to write back its black historical origins into the popular dance genre. Her cosmic archaeology takes her to the Motor City, Detroit: birthplace of techno.
Nkiru seeks to blur the boundaries between disciplines and give a platform to black faces, voices and stories. She does this in part through the collective she co-founded, The Ummah Chroma, which alongside her consists of cameraman Bradford Young, musician Kamasi Washington, editor Marc Thomas and director Terence Nance. Together they made their first experimental short film, As Told To G/D Thyself. During IFFR the collective will take this further with the installation G/D THYSELF: Spirit Strategy On Raising Free Black Children in Het Nieuwe Instituut. In her masterclass, Nkiru will discuss her vision and mission, her film work and the cooperation within The Ummah Chroma. A collaboration with IFFR, the Breitner Academy and EYE Film Institute Netherlands.
Het Nieuwe Instituut
3015 CB Rotterdam
Tickets via IFFR