Closing Event G/D THYSELF: Spirit Strategy On Raising Free Black Children
About the makers
The Ummah Chroma

Members of The Ummah Chroma are cinematographer Bradford Young (the first African-American cinematographer to be nominated for an Academy Award, for Arrival), directors Terence Nance (HBO’s Random Acts of Flyness) and Jenn Nkiru (Frieze and Gucci commissioned film Black to Techno, Beyoncé and Jay Z’s APESHIT), editor Marc Thomas (Black America Again) and award-winning artist, composer and producer Kamasi Washington. Their first work, in collaboration with Lauri Faggioni (production designer, Michael Gondry's The Science of Sleep, Dave Chapelle’s Block Party) and Erin Wile (creative producer), is the short film AS TOLD TO G/D THYSELF, that premiered at Sundance Festival this year and was received with wide acclaim.
Johny Pitts

Johny Pitts is the curator of the online journal Afropean.com, a platform dedicated to the Afro-European diaspora. In his book, Afropean: Notes from Black Europe, he shares a powerful personal story of exploring Black experience in various European cities.
As a writer, photographer and broadcast journalist, Johny has contributed to The Guardian, The New Statesman and The New York Times, among other publications. As a TV presenter, he has appeared on MTV, the BBC and ITV1. He recently wrote and presented a BBC Radio 4 documentary exploring Black identity through the music of his African American father, who was a member of the UK Northern Soul group The Fantastics.
Afropean: Notes from Black Europe won the Jhalak Prize 2020 and is shortlisted for the Bread and Roses Award 2020. In addition, Johnny has received a number of awards for his work exploring African-European identity, including a Decibel Penguin Prize, a European Network Against Racism (ENAR) award and a Society of Authors Travelling Grant.
Sheree Lenting

Sheree Lanting is a choreographer whose work takes hip hop as its starting point. She also teaches art education and dance and is an organiser, adviser and programme maker for various institutions and theatres.
For the next two years, she will continue to develop as a choreographer and artistic director of MOM within the Nieuwe Makersregeling programme of The Performing Arts Fund NL. She will research into the origins and development of (West) African dance and hip hop as part of her research project, The Revolution of Black Dance, What Came Before HipHop? in collaboration with local and international coaches. As part of this initiative, she will make two multidisciplinary productions.